Skip to page content

Photography

Photography is vital in showing the brand identity of Modesto Junior College.

Images give the opportunity to convey the college’s rich history, diversity, and community in ways words cannot. From the academic experience to the feeling of community, these images represent an authentic view into Modesto Junior College.

The style of photography focuses on using natural light to create an authentic view, with even exposure and warm, vibrant colors. A shallow depth of field provides an intimate connection and candid experience with the subject allowing the viewer to experience being in the moment; creating a window into to what it feels like to be part of Modesto Junior College’s diverse community.

4 Focus Areas of Photography

Focusing on how students learn and where they learn gives the college’s audience an honest view into all the programs available at MJC.

  • Classrooms: From traditional classrooms and Libraries, to the Regional Fire Training Center and Allied Health Simulation Labs, learning environments vary greatly across both campuses. Sharing images of these experiences demonstrates what it is like to learn and grow at Modesto Junior College.
  • Faculty Interactions: Leading the classroom is only the beginning of how faculty influence students. Highlighting the work outside of the classroom (office hours, club advisors, mentorship) is key in showcasing the time and dedication faculty provide to students.
  • Study time: Learning does not only happen in the classroom. Across the college’s many facilities students find places to work and collaborate. Study rooms, benches, labs, and art studios name only a few of the options available to students. These photos give an earnest view into the support provided to students.

Capturing students, faculty, and staff making connections on and off campus. This includes students chatting on campus, meeting with staff, social activities, and community outreach.

  • Pirates in the Wild: MJC students, staff, and faculty show an active commitment to the local community through their participation in activities like local park clean ups, participating in parades, or helping refugees adjust to a new city. Capturing images of this work allows prospective students to connect with what is important to them and find ways to be a part of the community.
  • Campus Life: Images of authentic student engagement at events like Commencement, West Fest, Spooky Night, and Homecoming showcase MJC’s Pirate spirit and student life.
  • Partnerships: Being a part of Modesto and the Central Valley for over 100 years, MJC has been dedicated to community involvement. Outside groups and organizations coming to campus shows the college’s commitment to serving as a cornerstone of the community and contributing to its development.

 

Photography that focuses on the people of MJC plays a key role in connecting the college’s primary audience to the humanity and stories about the institution.

  • Stories: The success of students gives the college reason to celebrate. Bringing these people forward and highlighting their journey through MJC lets future students know what the college can do for them.
  • Portraits: Capturing creative images to highlight special programs, sports, or student government. Portraits show off the individuals that make up our diverse programs. Students can envision themselves at their best and representing the future of the college.
  • Ceremonies: Seeing students complete their program is always a prideful moment for family, friends, staff, and faculty. Seeing the humanity and emotion behind these events lets the community at large connect with all the accomplishments made throughout the academic year.

 

Photos of architecture, the natural surroundings or for navigational and informational needs. These images focus on providing MJC students with the views they need to explore campus.

  • Buildings: Giving a street level view of facilities and offices helps those using digital maps navigate MJC. Ultimately connecting everyone to the many resources and services available.
  • Headshots: Leadership, Faculty, and Staff portraits give the community an opportunity to put a face to the name when looking at organizational charts and online profiles. Allowing students to see who is behind the message and familiarize themselves with colleagues.
  • Team Photos: Showing the people behind the services gives students and staff the comfort
    knowing that they have many people to support them.

Authenticity and Inclusivity

Modesto Junior College is committed to creating and promoting education for every member of its diverse community. The college’s photography aims to represent everyone in the community in terms of sex, gender identity, gender expression, sexual orientation, pregnancy status or any other characteristic protected by district policy or state, local or federal law.

With few exceptions, college photography avoids staged or overly polished imagery that would showcase an inauthentic view of the college, its students or staff.

Usage Guidelines

When using photos for projects, the selections should serve the story and deliver on the defined message or strategy. These guidelines are set to ensure we remain authentic in our portrayal of Modesto Junior College.

Editing should be kept to a minimum, only enhancing the technical quality but not changing the intent of the photo. Avoid over saturation, exaggerative filters and other elements that distract from the message of the photo. Alterations that misrepresent the image, confuses or misleads our audience is prohibited.

Allowable

  • Digital equivalents of traditional and well established lightroom practices such as dodging, burning, and cropping.
  • Color/tonal correction, and technical touch ups for the purpose of color balance and removal of technical flaws (artifacts, dust spots, digital noise).
  • Flipping of image to fit desired format/layout of a project is permissible but must not change the viewers perception.
  • Removal of unauthorized or offensive logos/text, or out of place objects is allowed as long as the modified version stays true to the intent of the original photo.
  • Minimal editing for portraits and headshots. (Glares, reflections, hot spots, flyaway hair, minimum skin softening)
  • Use of AI (Artificial Intelligence) for generative expand of the background to fit the technical needs of a project.

Not Allowable

  • Content alteration by moving, adding, combining, stretching, and or shrinking elements of the photo.
  • Alterations of someone’s physical identity beyond simple portrait cleanup.
  • The use of AI (Artificial Intelligence) to create a full image or manipulate and misrepresent a scene.
  • As artificial intelligence develops around design and visual storytelling, additional consideration will be published.

Tinted Photography

A sample photo showing several students

Tinted or duotone photography is utilized for presentations, large documents, or promotional materials where visual interest needs to be subtle. All tinted photography is treated using Modesto Junior College’s brand colors and not heavily retouched unless to resolve legibility concerns.

All images that are tinted should be high quality images produced by the Modesto Junior College photography team to ensure the final product is in accordance with brand standards.

 

Patterns

MJC Wave Pattern

The wave pattern is used against the blue on printed or digital material.

The wave pattern should never appear behind large swaths of body copy as it will affect readability. Limit text to large headers, or bold word art to maintain proper contrast and accessibility. The wave pattern is used as a solid tone with no gradation.

Gradients

MJC Wave Pattern

Gradients of the MJC Blue appear frequently in marketing. 

Most commonly, the blue is gradated across photography either along the bottom or the left and right sides of the image. Never over the top of a photo unless used in a extremely vertical format. The blue should always transition from 100 percent to 0 percent at full opacity. The gradation should be even and not vary in transition. Faces or important details should not be obscured with the gradient. Gradient treatments should not be used where text would become illegible.